This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.

这部电影是罗伯特·贝纳永的导演处女作。一位艺术家（理查德·勒杜克饰）参加一个聚会，吸了一些毒品，并发展出了预见未来和过去的能力。他回到自己的公寓，在那里他看到了 30 年前住在那里的一位女士的幻象。一位朋友试图说服他，是他作为一名艺术家的敏感度提高了，才获得了新发现的能力，但他很快就出现了迷幻幻觉，他的能力随着时间的推移而增强。定格动画摄影被有效地运用在他的一系列视觉体验中，在这个形而上的故事中，人们存在，但城市不存在。参加聚会的艺术家吸了一些毒品，并发展出预见未来和过去的能力。他的迷幻幻觉随着时间的推移而增加。

Released in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other towns, and decide to deflect the vanquishers by playing dead. This isn't terribly effective (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Bernard Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis.