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어렸을 때부터 글의 뛰어난 재능을 가진 정미래. 리얼리티를 중시한 그녀에게 일이 많이 들어오는 것은 당연한 것, 하지만 이것도 전부 예전 신인 때 이야기일 뿐 입봉 10년차에게 글을 써달라는 요청은 점점 줄어들고 이제 하나 둘 들어오는 것들은 성인만화나 에로영화의 시나리오 요청뿐이다. 먹고 살기 위해 성인영화의 시나리오 제안을 수락하고 작업을 시작하는데 리얼리티를 중시한 그녀에게 에로영화라는 것은 실제로 해봐야하는 것. 혼자 자세도 많이 연구하고 실제 테스트 해볼 수 있는 건 쉽게 걸려드는 연하의 남자들. 하지만 제작사에게 진부하다며 혹평을 받고 자존심에 상처가 난 미래는 제작사가 깜짝 놀랄 만하게 해 주겠다며 계획을 짠다.
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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Gone Ghosting是一个受欢迎的捉鬼团队，通过直播和销售赚取了数百万美元。一天，团队的摄影师离开并泄露团队编造剧情。其他年轻人为了证明一切是属实，准备现场直播捉鬼。他们闯入一个传说中无人生还的地方，进行了有史以来最疯狂的现场直播。
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Rose Byrne和Seth Rogen将主演并简直Apple TV 的半小时喜剧《柏拉图关系 Platonic》。 Nick Stoller和Francesca Delbanco撰写剧本，Stoller同时负责执导。本剧有诗选类元素，每季聚焦不同的两个人。 首季共10集，将探讨柏拉图式友情的内在运作方式。一对年轻时认识的前好友，成年后重新开始联络，试图冰释前嫌。随着两人的友谊变得越来越令人身心俱疲，这段关系动摇了他们的生活，促使他们重新评估自己的选择。
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由克里斯托斯·尼寇执导，阿利斯·塞勒维塔利斯主演，故事讲述在不远的将来，一种不知名的传染病在城市里蔓延，症状为患者会突然失去所有的记忆，染病的原因不明，也没有疫苗预防与相关治疗手段。而主角作为在街上突然「断片」被安置到新居的人，没有身份证件也无家人认领，只知道自己爱吃苹果。
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五位土耳其导演分别拍摄的五段发生在伊斯坦布尔的故事，交叉讲述，却不着痕迹，浑然一体。
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九十後女導演李在恩、林智善共同執導，一個喜歡李滄東，另一個卻喜歡園子温。差天共地的電影口味，竟碰撞出如《寒假》般的暑假女生版，跳脫慵懶，活潑厭世，清新搞笑，非常亮眼。三個小鎮高中詩友，畢業後各奔前程，一個去了美國，一個去了首爾，各自追尋詩以外的桃源，留下一個在家鄉，每星期仍堅持視像詩聚，只可惜鏡頭的對面，久未見朋友露面。由十九踏入二十，短短一年卻是人生的分岔口。電影點出階級和城市無形的落差，人與人之間微妙的相遇和相處，總是遊走在隱藏與坦白之間，友情的分岔路上又會是一張怎樣的成績「婊」？